5 The new interest in Francoism, however, was not only retroactive, it also played on contemporary political controversies. 4 No doubt sensationalism and marketing playing a part in it, as with most cultural productions, but it is also true that a thorough coming to terms with the dictatorial past was avoided during the transition to democracy between 19. A whole avalanche of journalistic and academic publications on Francoist matters have appeared in the last five years, bringing to light some of the less well known or forgotten topics related to Francoism such as forced labour, mass graves, and post-war repression. Yet in these years, Francoism as a cinematic subject seemed to fall out of favor.įrom the year 2000 on, however, it is possible - and necessary - to speak of a revival of both a renewed interest in “Francoism” as well as of a retroactive “Anti-Francoism” after Franco. The number of cinema goers doubled, creating an industry somewhat more independent from state subsidies.

From this point onward, new and more popular subjects became the focus of the industry’s attention, intended mainly for a younger audience that had come of age in the new democracy. While the 1980s and early 1990s were productive in delivering interesting visions of Francoism on the screen, Spanish cinema really broke its “sound barrier” as a prosperous cultural industry in the mid-1990s. Warning: getimagesize(./images/photos/Museo/Dedicatorias/thumbs_Dibujo_Ibanez.jpg): failed to open stream: No such file or directory in /homepages/14/d376443976/htdocs/content_detail.Since Franco’s death in November 1975, the man, his Civil War, and his regime have been a major topic in well over a hundred Spanish movies that deal with a diverse set of motifs and discourses. Warning: imagedestroy() expects parameter 1 to be resource, bool given in /homepages/14/d376443976/htdocs/phpinc/config.inc on line 3205 Warning: imagedestroy() expects parameter 1 to be resource, null given in /homepages/14/d376443976/htdocs/phpinc/config.inc on line 3204

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